team

Brian Ashby studied international relations at the University of Chicago, and came to documentary filmmaking through his interest in social issues surrounding political economy.

Spending four years on his first film, Scrappers (2010), established his commitment to making socially engaged and formally exploratory work. In These Times called the film “a moving portrait of the precariousness of life and work at the bottom of the American economy, in one of the country’s wealthiest cities.” Detouring into the history of the visual arts, Brian co-produced Hairy Who & the Chicago Imagists (Pentimenti Productions, 2014), which has screened widely at venues including the Liverpool Biennial, the New Museum, and the Museum of Contemporary Art Chicago. He co-directed the SFG/WTTW11 web series Central Standard: On Education, examining disparities in public education in Chicagoland, and is currently co-producing and co-editing The Area, a documentary feature following the displacement of a Chicago neighborhood by an intermodal freight yard. Projects produced by Brian have been supported by the Andy Warhol Foundation, PBS Digital Studios, the Northern Ireland Community Relations Council, the Driehaus Foundation, and others.

Brian alternates between work as a producer, cinematographer, and editor, and values collaboration above all.

Peter is an editor, director, and colorist. He works in Avid Media Composer, Adobe Premiere, Final Cut Pro, Adobe After Effects and DaVinci Resolve, and is constantly thinking about how to make post production workflows more efficient at Scrappers Film Group. A focus on writing and directing in college (Northwestern BA ‘05) gives him a strong understanding of how to craft a story and guide a project from pre-production through to finishing.

Peter edited the PBS documentary web series Central Standard: On Education, which follows five 8th-graders as they try to get into Chicago's selective enrollment high schools, as well as a series of verite-style branded documentaries about West Texas for the Big Bend Brewing Company, and Rights Lab, a web series focused on Civil Liberties. He also co-edited the feature documentary The Area with fellow Scrappers partner Brian Ashby. Peter excels at cutting strategic video projects, including campaigns for fortune 500 companies such as Nordstrom and Compass Group, and leading nonprofits such as American Institutes for Research and The University of Chicago.

Peter produced and edited the feature documentary, Your Name is My Name, which explores the lives of albino children in Zimbabwe. Directed by Osato Dixon, Your Name Is My Name was funded by a Fulbright Scholarship and a grant from the New York State Council of the Arts.

Peter spent much of his childhood in east Asia, and now lives in the Twin cities with his wife and son, and is Scrappers’ official connoisseur of craft beer and episodic television.

Colette’s purpose lies at the cross section of social impact and visual storytelling. She co-directed The People’s Girls, an award-winning documentary investigating the issue of sexual harassment in Cairo, Egypt. Her film was selected in several festivals, and it won Best Short Documentary at the Arab Film Festival in San Francisco, as well as the Humanitarian Award at the Rhode Island International Film Festival, an Oscar-qualifier. She has been featured in Huffington Post Live, Buzzfeed, CNN, TEDx, and other major international news channel for her work.

Giorgia is a recent graduate of Columbia College Chicago, where she studied all aspects of post-production including video and audio editing, motion graphics, color correction, and media management.

She is currently on a documentary team making a film in development with Kartemquin, called Area 2, exploring the Chicago police torture saga. She is also the video editor and motion graphics artist for Wishbeads, a project empowering women and girls to identify and manifest their goals.

Recently, Giorgia became an official member of Row Four Productions with her two uncles and grandfather, creating videos for product development, publishing firms, and non-profit institutions such as The San Diego New Children’s Museum, and The Bishop’s School in California.

In her free time, Giorgia enjoys listening to podcasts, browsing antique malls, and eating tofu.

David studied film and screenwriting at Northwestern University, producing an independent film, Maydays, in 2012 with Ben Kolak.

He completed the Startup Leadership Program, a highly selective, 80-hour, 6-month training program for outstanding founders and innovators. He brings his business acumen to the company as well as his systems analysis, problem solving, and creative skills. In December, David will earn his Masters in Accounting and MBA at UIC’s Liautaud School of Business, with a focus in business analytics. He will also be sitting for the CPA over the next four months.

In his free time he sings in a punk band, fixes cars, and spoils his cat Polly.

For over 10 years, Ben Kolak has worked as a cinematographer, editor, producer, and director. He enjoys collaborating with small teams on projects designed to encourage social good. Ben’s work has appeared in The New York Times, NPR, PBS, Univision, Al-Jazeera, Vice, Fusion, Euronews, and Netflix. In addition, he has shot and edited strategic videos for clients including The University of Chicago, Code for America, Chicago Humanities Festival and The Joyce Foundation. He also frequently collaborates with contemporary artists on moving image projects.

Ben began making films while studying philosophy and cinema at the University of Chicago, where he wrote a thesis under the direction of Frankfurt School expert Miriam Hansen. His directorial debut, Scrappers (2010), went on to win awards at numerous festivals and make critic Roger Ebert’s list of the top documentaries for 2010. Ben edited the documentary Hairy Who and the Chicago Imagists (2014 Newport Beach Film Festival), and co-directed the web series Central Standard: On Education, made in partnership with WTTW 11 and PBS Digital Studios (2014). In 2015, Ben crafted a season of 360°/VR documentaries for Chicago news site Gapers Block. He is currently in production on numerous web series, strategic projects, and documentaries.

Ben lives in Hyde Park with his wife, Akemi Hong, their son, and a corgi. He enjoys basketball and camping. Ben is a member of The Arts Club of Chicago and a board member of the Media Burn Video Archive.

Yana Kunichoff is an independent journalist and documentary producer who covers immigration, policing, education and social movements. She has produced feature-length documentaries and a pop-culture web series for Scrappers Film Group; worked as a fellow with City Bureau, where she won a March 2016 Sidney Hillman award for an investigation into fatal police shootings; and covered race and poverty issues for the Chicago Reporter. Her work has appeared in The Guardian, The Atlantic, Pacific Standard and Chicago magazine among others. You can find her on Twitter @yanazure and at yanakunichoff.com

Reshmi Rustebakke is a Chicago based director, interested in work about women and people of color, and helping to expand the voice of marginalized communities.

Reshmi comes to filmmaking from a theater background. She received her B.F.A. from NYU and M.F.A from DePaul University, in directing. She has worked in New York and Chicago, both as director and assistant director in theaters like Playwrights Horizons, New York Theatre Workshop, Vineyard Theatre (NYC), and Chicago Shakespeare Theatre, TimeLine Theatre, Redtwist, Victory Gardens (CHI).

Reshmi made the switch over to directing for film, primarily in the genre of web series. She is working with Ricardo Gamboa and Robert Stockwell on the upcoming series, BRUJOS, launched on the OpenTv platform in March of 2017. She is also in development for multiple series this fall/winter.

David Schalliol is an assistant professor of sociology at St. Olaf College who specializes in visual sociology. He is the director and cinematographer of The Area, an ethnographic film about the displacement of more than 400 families on Chicago’s South Side by an intermodal freight yard. The film is supported by the Graham Foundation, the Driehaus Foundation, and the City of Chicago’s Department of Cultural Affairs and Special Events. Other film projects to which he has contributed include the ITVS/Kartemquin Films feature Almost There and the National Film Board of Canada’s Highrise: Out My Window, an interactive documentary that won the 2011 International Digital Emmy for Non-Fiction.

Schalliol is also a writer and photographer whose work has appeared in such publications as Artforum, Design Observer, The New York Times, and Social Science Research, as well as in numerous exhibitions, including the inaugural Belfast, Northern Ireland Photo Festival and the Museum of Contemporary Photography’s Midwest Photographers Project. The Japanese publisher Utakatado released his first book, Isolated Building Studies, in 2014.

Schalliol received his bachelor’s degree from Kenyon College and his master’s and doctoral degrees from The University of Chicago.